"We're already in hell."
Vancouver International Film Festival
Roommates Addie (Betsey Brown) and Noelle (co-writer Madeline Quinn) soon encounter strange occurrences and possessions happening in their posh, new, but cursed, apartment. Nothing is out of bounds as Nekrasova and Quinn's giallo-tinged script goes for some fairly shocking gonzo visuals as Addie becomes possessed by the spirit of one of Epstein's underage victims who enacts strange occultist rituals and disturbing sexual behaviour.
Scary is fearless in its blatant exploitation of topical real-life criminal conspirators perpetrated by the elite class and power structures. Its riotous subject matter revels in being as offensively shocking as possible. Nonetheless, the film's intriguing commentary on our current generation of internet sleuths makes for some amusing ridicule of neoliberal pseudo-intellectual crowds.
Thanks to cinematographer Hunter Zimny's grainy retro 16mm look, there's a strong 1970s paranoid thriller meets psychosexual horror vibe to the provocative genre film while still evoking a contemporary sense of seediness—not unlike Eyes Wide Shut. The Scary of Sixty-First is a well-executed bad idea of a horror premise that delights in offending and exploiting actual criminal conspiracies of sexual predators.
The Scary of Sixty-First screened at the 2021 Vancouver International Film Festival as part of the Altered States series. It also screened at the Rio Theatre and is available to stream through video on demand.
More | YVArcade / AV Club / Indiewire / Stir
0 reactions:
Post a Comment