SCREEN | Smuggling 'Little Lorraine' x WFF 2024

"I think what they miss the most is showering together."

Whistler Film Festival

Based on crimes committed in 1986, Little Lorraine dramatizes the real-life international offshore cocaine smuggling operation that engulfed the titular Cape Breton seaside fishing village in Nova Scotia. Singer-songwriter (and co-screenwriter) Adam Baldwin previously wrote about the true-crime story in his 2022 single "Lighthouse in Little Lorraine," with its music video successfully serving as a proof-of-concept for the subsequent film.

GENRE | Daisy Ridley Survives 'We Bury the Dead'

"Why do only some of them come back?"

Vertical Entertainment

English actress Daisy Ridley stars in Australian writer/director Zak Hilditch's haunting yet unconventional zombie horror drama, We Bury the Dead. Set in Tasmania in the aftermath of a catastrophic nuclear experiment gone wrong, her Ava joins a "body retrieval unit," desperate to find her husband. She gets derailed when some of the corpses her team is tasked to bury awaken and become the living undead.

REEL | Top 10 Films of 2025

"No fear. Just like Tom f*cking Cruise!"

Warner Bros. Pictures

Click on each film title to read its corresponding review:

1) One Battle After Another ¹ (dir. Paul Thomas Anderson)

2) Sentimental Value ² * (Affeksjonsverdi, dir. Joachim Trier)

3) Sinners ³ (dir. Ryan Coogler)

4) Marty Supreme (dir. Josh Safdie)

5) Train Dreams * (dir. Clint Bentley)

VIFF 2025 | Bi Gan Dreams A Cinematic 'Resurrection'

"The secret to eternal life is to no longer dream!"

Vancouver International Film Festival

VIFF 2025—Resurrection (狂野时代 aka Wild Times), visionary Chinese artist turned filmmaker Bi Gan's ambitious dreamscape odyssey of surrealist sci-fi slow cinema, is structured into six disparate but interconnected chapters, each revolving around one of the Buddhist senses, including the "mind." Set in a far future where most people no longer dream and, as a result, can live forever, things start off in a German expressionist style before transitioning into distinct twentieth-century cinematic eras in China.

REEL | Timothée Chalamet Challenges 'Marty Supreme'

"I'm the ultimate product of Hitler's defeat."

A24 / Elevation Pictures

Marty Supreme, the eldest Safdie brother, Josh Safdie's second solo-directed film—after the younger Benny's own debut in The Smashing Machine, also an unconventional sports drama from A24, earlier this year—starring Timothée Chalamet (also a producer), is set in the world of championship table tennis in 1950s New York City. Chalamet portrays a fictional hotshot star player, Marty Mauser, on the rise that's based on real-life Jewish-American ping-pong hustler, Marty Reisman.

REEL | Beneath Pandora – 'Avatar: Fire and Ash' Repeats Itself

"Your goddess has no dominion here."

20th Century Studios / Lightstorm Entertainment

Blockbuster director James Cameron returns to the blue future world of Pandora in his third Na'vi 3D action spectacle outing, Avatar: Fire and Ash. This time centred on a volcano-dwelling, fire-based tribe of the native alien species, the Avatar retread is just as jaw-droppingly visually dazzling and relentlessly repetitive as it is fully immersive as a cinematic experience.

CABLE | Wong Kar-wai Colours 'Blossoms Shanghai'

"Neon signs glowed like a sea of flowers."

Jet Tone Films / Tencent Pictures

Blossoms Shanghai, Chinese auteur Wong Kar-wai's first television drama series, broadly romanticizes 1990s Shanghai in the lushly complementary vein of what his cinematic masterpiece, In the Mood for Love, did for 1960s Hong Kong but only on the small screen. Created and directed by Wong, scripted by Qin Wen, and based on author Jin Yucheng's award-winning 2013 novel, Blossoms, it tells a vaguley historical yarn of late twentieth-century Eastern capitalism wrapped in melodramatic intrigue.

SCREEN | Revisiting 'Godspell' – 'You Had to Be There' x WFF 2025

"It was the most joyous show to do."

Whistler Film Festival

New York-based filmmaker Nick Davis revisits the legendary 1972 Toronto company production of the Stephen Schwartz hippie musical Godspell, known for its lasting legacy of featuring some of the biggest names in Canadian comedic talent, in his documentary, You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution, Spread Love & Overalls, and Created a Community That Changed the World (in a Canadian Kind of Way).

SCENE | 'West Van Story' Sweeps the Spirit of 'East Van Panto'

"You're just jealous, because I was an early developer."

Dawn Petten, Tresha Thamilchelvan, Izel de Lara & Ivy Charlies / Photo credit | Emily Cooper

Commercial Drive—One of my favourite annual traditions of leftist satirical musical propaganda (complimentary), East Van Panto, is back for another year of shared theatrical joy. Theatre Replacement's latest holiday stage production, presented by The Cultch, returned to the York Theatre for its lucky thirteenth edition of love, laughter, and low-income housing.